So I recently had the honor of getting to chat with Gordon Koch from Call of the Void at This is Hardcore. In the interview we talk about his love for art and his upcoming record. A truly jovial and fun dude, this is one of the coolest interviews I've done in a good long while.
If you don't know Call of the Void already, find them on Facebook!
So how have you been?
I'm good, very
good. We flew in last night, We got to Philadelphia after a
connecting flight, slept on a hardwood floor, drank a bunch of beer,
and I'm alive!
Will you be around for the entire
festival?
We actually leave
Sunday in the afternoon. We'll be able to see all of Friday and
Saturday, but we want to check out the art museum and stuff.
The art museum? Are you guys into
art?
Whenever we're on
tour we try to check something out that's a little educational. My
dad is an art collector and my mom is an art teacher and I grew up
doing art. I always went to art museums and I find them neat.
Whenever we're on the road we try to find something bizarre or a
famous museum. When we were on tour with Ringworm we went to the
Cleveland art museum where there are Van Gogh's and Picasso and stuff
that you don't normally see.
Being raised in that kind of
culture, has that impacted your music?
Absolutely!
Growing up and seeing surrealist art and stuff that's not related to
popular culture definitely helped out. My parents always encouraged
me to do whatever I wanted. That allowed me to get into extreme
music. They bought me my first drumkit. When I first startedp laying
heavy metal shows they were totally supportive, they didn't give a
shit, they wanted me to express myself. I grew up listening to Frank
Zappa and weird stuff like that. A lot of people get bored at art
museums and wwe were forced to go to them because that's where my
parents wanted to check out. Then you learn to appreciate that. I'll
invite people to the art museum and they'll be like “That's boring.
Are you stupid?” I just think it's neat.
I had a similar upbringing yeah.
If you just have a
basic understanding of what you like you can do a lot. I went to a
French classic collection at the Denver art museum and I think Monet
is fucking boring. I don't give a shit. He did all the work that he
did but after seeing three rooms full of it I don't care.
Whose you're favorite painter?
I really like the
early Mark Reiden stuff from Juxtapose Magazine. When they were
popping up he was kind of uncomfortable. He did Abraham Lincoln and a
bunch of meat or little girls milking their teats into elephants.
That was kind of a bit more shocking when I was growing up. I really
like Frazetta, Frank Frazetta. It's total nerd stuff, but his oil and
the way that he's able to actually put together the human body... Oil
is really hard, you've got to wait and let it sit. He took the full
figured woman and portrayed that. While other painters were doing
rail thin skinny women, he was just loved painting big old butts and
dragons and muscles and stuff. He definitely took a lot of
inspiration from his wife, he portrayed a more realistic female
character. Albeit they're wearing a tunic and they have a knife and
they're fighting a giant lizard, but I just like the way he portrayed
it.
Do you have a love for fantasy in
general?
I grew up watching
Star Wars and Fantasia and stuff. I'm more into surrealist shit. I
like the first couple seasons of Ren and Stimpy. That kind of stuff
is completely bizarre. I like the fever dream kind of feel.
So you seem to have a very solid
understanding of stuff that normal society would refer to as 'high
art'. So why do you make music that's so brutal and vicious?
You can find a lot
of meaning in anything. When you look at Jackson Pollock it just
looks like he put paint in his mouth and sprayed it everywhere. When
you look at all the pain he went through though and what he put into
it. You'll see a painting that's just blue with a red square in the
middle. There's a lot in that.
Grindcore for
example is really basic and super intense, and some people think
that's just bad songwriting. But when you look at it from a
minimalist point of view. If you listen to actual ambient artists,
like Sun0))), that's just one example of minimalist music and then
listen to Discordance Axis which is a great grind band, they repeat
and repeat and repeat and do one phrase and it's over. That's fucking
art. You don't have to be super complicated like some fantasy metal
band to be considered artistic, it's just how you present and what
you're going for.
It's like John Zorn and Speedball.
I love John Zorn.
Naked City's Torture
Garden is just one of my
favorite CD's to listen too. It's so outrageous. A lot of people need
to be in a specific mood, I can listen to that any time, I fucking
love it. He did the Painkiller
series with the fast versions of Naked City and then like the doom
versions of Naked City, just different jam sessions with different
artists. It's great. He has an awesome grasp on everything.
How
did you get called in to do this showcase with Relapse?
The
guitar player Patrick and I have been playing music together for a
long time. We had started this band together doing a few songs in
2007. It petered out and we did other stuff and then we were in a
stoner rock band together. We decided to get this band back together
and recorded the first record in 2011 I believe. We surfed it to all
the labels we could think of but we didn't send it to Relapse because
we thought they were too high caliber. So we ended up putting it out
ourselves. We put it on blogspots and as a free download on bandcamp
and all our friends posted it all over the internet. Then drew from
Relapse heard it and called us up and said “Wow this is awesome, do
you want to be on the label?” he showed it to the rest of Relapse
and they called us the next day. We had already done the artwork and
mastering and they were like “This is awesome, we'll totally put
this out for you.” We signed a record deal and we're touring on it
and having fun.
Do
you have another couple records in the deal?
We
signed a three record deal and we just finished recording our second
album, I don't know when it's going to come out, we're still
finishing up artwork and stuff. We're really pumped about it.
How
did that evolve on what you have out now?
The
first record is pretty grind and heavy and mean and stuff. We wanted
to bring more of a thick cohesive and beefier sound. It's a little
bit more hardcore and some more repeated ideas. There's more song
structure to it. It's a better evolution and it's the proper
evolution. We're trying to be better songwriters and play more
presentable music. We got a new guitar player, he's not here today
because he couldn't get off work but we're going on tour with him in
the fall. He added an awesome new sound to it so now we sound bigger
and badder.
I
want you to finish this sentence for me “I've never told this story
before and probably shouldn't but...”
There's
a lot of shit... I egged a kids house in middle school and then lied
about it and it was funny. I spray painted a middle school. No one
cares about that shit. I haven't killed anybody or ripped anybody
off. We come from such a nice place it's weird. I don't like
stealing, I can't even steal hot sauce from Chipotle. I'm pathetic.
What
do you love so much about music?
I've
been studying this shit since I was 13, it's my entire life. When you
force a kid to play violin fo his entire life all of the sudden he's
really good and that's his entire life. We got signed to the label
and this is my one chance to actually do it. Yeah I got a day job and
a lady, but this is what I've been training for. Instead of making
money like a master carpenter I play in a heavy metal band and tour
in a van.
Any
words of wisdom, last comments?
Everybody
needs to mellow out. This past week has been stupid, people are dying
for no fucking reason. There's a lot of beef in a lot of communities
and you could make a lot of sandwiches with them.
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