Scheduled
exclusively and especially for this Parisian date, Dir en Grey had the luxury
of being able to invite none other than one of France's biggest metal acts' to
open up the show: Dagoba. Decorating the stage were banners and flags
displaying the art for the bands' latest album to date, titled "Post
Mortem Nihil Est". As with any show opening up with a leading act from the
French metal scene, tonight’s' festivities could not have started off any less
enthusiastically. With a packed venue waiting for them as they took to the
stage, the band was greeted by a roaring audience cheering as loud as one would
for a headlining act. Now I'm going to give it to you guys straight: I've never
been a fan of Dagoba. I've tried, but they're just not my thing. When I heard
that Dagoba were going to be opening for the show, I frankly could not have
cared any less. With that being said, the band absolutely killed it tonight.
With a tremendous amount of energetic stage presence and a tight, well
locked-in performance supported by a freaking massive sound, the band put up an
outstanding opening show, setting the crowd ablaze from the very start of the
show. The groove metal act even managed to open up an impressive moshpit as
well as two walls of death during the
course of their set. Vocalist and bodybuilding enthusiast Shawter got the blood
pumping in the crowd with his impressive screamed vocals and his occasional
post-grunge inspired vocals which I've never been a fan of (though his delivery
was top notch). The guitars did lack a quite a bit of detail, with the middle
and high end of the guitar being barely audible, though thankfully this didn't
come in the way of the bands' trademark headbang-enforcing grooves. While I may
not be a big fan of their music, this was a class-A performance worthy of the
bands' reputation. Well played, guys.
Left with a
heavy opening set to keep up with, I will admit that I had my doubts as to how
well Dir en Grey was going to measure up to Dagoba's. Fortunately, Dagoba's set
wasn't the only pleasant surprise waiting for me that night. The band stepped
to the stage, dressed all in black, to the deafening cheers of an ecstatic
audience. Vocalist Kyo's makeup had visibly made its comeback, albeit in a less
extravagant fashion. Sporting a blonde pompadour haircut and a face blackened
by eyeshadow, Kyo came off as a character from a Shinya Tsukamoto movie, which
can only pass off as a good thing by my book, despite my reserves regarding
some of the bands' more "image-conscious" phases. Interestingly enough, the setlist for this tour was entirely dedicated to the
bands' latest album with the exception of the 3 encores, with 14 of the albums
16 tracks being played. Whereas one may regret not hearing some of the bands'
previous material, seeing the album being played practically in its entirety
allowed fans to further appreciate the bands' most recent material in a more
wholesome, immersive context. The band kicked
things off with "Soshaku", the 2nd track off of their latest album,
an interesting yet smart choice for an opener. The instrumental buildup of the
song got the crowd growing wild with impatience.
It was as soon as Kyo nailed
that first high note leading to the explosive chorus that all of my doubts
regarding his vocal performance vanished into oblivion. An unexptected cold
shiver ran through my entire body, from my head down my spine and gave me
instant goosebumps, as though I had been struck by lightning. Vocalist and
lyricist Kyo was absolutely mesmerizing from start to finish, from his stage
act to his incredible vocal performance. Whereas I've always steered clear of
the fanboy/girl obsession surrounding
the vocaist you can't help but be blown away by the sheer amount of charisma
displayed by the frontman, from his hypnotic dance moves and gestures to his
violent headbanging. As to the vocalists' reputable vocal skills, I was very,
very impressed to see how much Kyo's vocal performance had progressed. His
vocal performance seems considerably more focused and controlled. While not
always pitch-perfect, Kyo's vocals never fail to capture our utmost attention
and shake us to our core as he sheds out every bit of energy and emotion into
his performance. Furthermore, I was absolutely floored to hear how fast he
manages to switch between so many vocal styles and technique, particularly on
"Uroko", one of the most impressive songs of the evening
performance-wise. Steering away from mere showmanship, one can only admire the bands' focus on
building an atmosphere and conveying an emotionally powerful set. Overall, this was a performance one can only expect from such
a band with such a consistent lineup.
I had made
my way to the Bataclan on that sunny afternoon expecting a mere nostalgic trip
down memory lane, but what I ended up getting exceeded far beyond my
expectations. After a soon-to-be 2 decade long history, Dir en Grey shows an
impressive tendency to breathe new life into their career and have truly lived
up to their tour name by proving themselves as an unstoppable force in the
metal and rock scene.
Robin
Thank you to Peter and Pirate Smiel GbR
everyone who made both this amazing show and this live report possible!
Dagoba Setlist |
Setlist (Official, from Light Engineer)
1. Soshaku 咀嚼
2. Chain Repulsion
3. Sustain the Untruth
4. Un Deux
5. Uroko 鱗
6. Tōsei 濤声
7. Rinkaku 輪郭
8. Kūkoku no Kyōon 空谷の跫音
9. Magayasō 禍夜想
10. Phenomenon
11. Behind a Vacant Image
12. Cause of Fickleness
13. The Inferno
14. Revelation of Mankind
1. Soshaku 咀嚼
2. Chain Repulsion
3. Sustain the Untruth
4. Un Deux
5. Uroko 鱗
6. Tōsei 濤声
7. Rinkaku 輪郭
8. Kūkoku no Kyōon 空谷の跫音
9. Magayasō 禍夜想
10. Phenomenon
11. Behind a Vacant Image
12. Cause of Fickleness
13. The Inferno
14. Revelation of Mankind
Encore
15. The Final
16. Saku 朔
17. Hageshisa to, Kono Mune no Naka de Karamitsuita Shakunetsu no Yami 激しさと、この胸の中で絡み付いた灼熱の闇
15. The Final
16. Saku 朔
17. Hageshisa to, Kono Mune no Naka de Karamitsuita Shakunetsu no Yami 激しさと、この胸の中で絡み付いた灼熱の闇
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