Chuck Schuldiner Project

Showing posts with label Emo. Show all posts
Showing posts with label Emo. Show all posts

Friday, October 22, 2021

Bears In Trees - and everybody else smiled back


One of the interesting things to me about the current wave of emo pop punk is really seeing the influence of bands like The Front Bottoms and Modern Baseball starting to find their place outside of bands that exist purely in the Northeast US microcosm that they emerged from. Such is the case with Bears In Trees whose excellent new record and everybody else smiled back is a veritable masterwork of the genre. It's a fun record colored with a sort of distinctly modern nostalgia. It's a record that proves this sort of music can transcend geographic barriers and have power all around the world.

The bands very English take on emo pop punk is a delight and something I will certainly be coming back too. It's such a delight to get lost in these songs of day to day life, trying to find a path and 'listening to MoBo.' There's a very real humanity that the band excel at communicating that makes tracks like 'Great Heights' so compelling. They may not be reinventing the wheel, but they do a great job of continually showing listeners that there is hope, even if you are being dragged down by depression and the seeming nihilism of day to day life. As is, the strong songwriting and humble approaches continually leave me in awe. 

Bears In Trees craft a very human sound on and everbody else smiled back, whether it be dealing with addiction, or simply being sad about a girl. This is a band who have built on the classic framework of the genre and put their own twist on it and it's gloriously addictive. This is the new wave of pop punk executed properly, distinctly modern and incredibly impressive. I'm personally pretty in awe of what these cats have done and anyone who has a place in their heart of r the emo revival is going to find something to be pleased with. 

Pre-order the album!

https://counterintuitiverecords.com/collections/bears-in-trees

Wednesday, July 14, 2021

Dude Trips - You Are The Reason I Hate Leaving


Immediately arresting and emotionally powerful, the Scottish emo of Dude trips is the sort of deeply moving music that keeps listeners hooked for life. Their new EP, You Are the Reason I Hate Leaving is a deeply sad and touching offering that speaks to the pain of growing up and the ongoing struggle of being. There is a very real honesty to the band that helps to make them an authentic and resonant force who will continually guide listeners to a sad place within themselves, but give them the strength to make it through, no matter what. 

You Are The Reason I Hate Leaving leans deeply into its emotional bonafides. It's a record that knows just how sad it is and how sad its listeners are. The journey it takes the listener on, telling the story around the depth of a pet, but also showcasing the pain of breakups and more makes for some compelling listening. This is a record that speaks to the sorrow of the human condition and odes so in a remarkable articulate and emotionally resonant way. It's hard not to be charmed with the strange grace and power of this record. This is modern emo done right, raw and honest, and almost guaranteed to get your eyes watering. 

Dude Trips have really gotten to the heart of the matter here. This is a record that is painfully relatable and honest. It's an album that speaks to a fundamental part of the human condition with its powerful chords and beautiful acoustic passages. Usually when I'm prepping to write a review I listen to a record on repeat a few times to get a real feel for it. This record though was so raw that I had to stop it from automatically replaying because I just couldn't handle the sadness that the opening track in particular has after such a deeply emotional experience. Seriously - listen to this. 

Pre-order the album here!

https://dudetrips.bandcamp.com/album/you-are-the-reason-i-hate-leaving

Monday, November 12, 2018

itoldyouiwouldeatyou - Oh Dearism


As regular readers know I occasionally take a break from your regularly scheduled death, doom and decay on this blog in order to focus on other types of music that make me smile, usually on the heavier side of things. Such is the case with the indie-punk group itoldyouiwouldeatyou and their upcoming release, the masterful Oh Dearism. This record is an amazing fusion of 90s American Football and Cap'n Jazz inspired emo with pop punk and all sorts of interesting experimental and alternative fringes.

This is a record that fascinates because while it certainly does not shy away from the touches of acts like Owen, or perhaps their contemporaries in The Front Bottom, it also is undeniably weird and shows that these guys have brought in a rich set of influences to match it. I would not be surprised if, for example, these guys were listening to Merzbow in their spare time. The music is multilayered and full of all sorts of art school wizardry but also stripped down enough that it would make sense in a college basement. That's a really fucking hard balance to strike and itoldyouiwouldeatyou manage to pull it off with aplomb.

These English kids have created a record full of contradiction and chock full of interesting ideas. This is a band who operate on what is truly another level and who seem to revel in the exciting breadth of what they have created. itoldyouiwouldeatyou are happy to play by their own rules and paint pictures of a forgotten and broken youth. They are doing their best to make it through though and despite the despair and nihilism some songs might communicate one gets a sense that things will get better, as they tell us, "I’ll protect you my love, just don’t run. I’ll protect you my love."

Find them on Facebook!
https://www.facebook.com/itoldyouiwouldeatyou

Thursday, January 21, 2016

Across All Oceans - Homegrown


Regular readers have probably noticed that I'm a pretty sad dude with a lot of weird stories to tell. For some reason, almost as a direct result of this I have this weird love for pop punk and emo - especially when fused, as Across All Oceans do on their latest release - the exciting and brilliantly executed five tracks of sadness that is Homegrown. Wonderfully human and a reflection on all the pain that we forgot we had forgot Homegrown reflects a sort of internal drama that reminds us of a certain undeniable humanity within us all. 

The anthems on this record speak to to the human condition and the bizarre loneliness, that we face in the modern world. There is a very real sadness at had here and it reminds us that despite it all we are not the only ones. The albums second track Permanence brings the ephemeral nature of humanity to the front and reminds us that we are not the only ones. Maybe I'm just a lonely twenty something in a world of lonely twenty somethings or maybe Across All Oceans have been able to properly tap into our modern nihilism. In a world where it feels like we are destined to be forgotten Homegrown sympathizes and reminds us that people do in fact care.

Don't get me wrong - these guys are bitter and sad - but so am I, and chances are you are too. Homegrown provides us with something that we can all connect to and identify with. It speaks to a darker reality that we all need to deal with. Yes we are haunted b demons of the past but somehow we can surmount them and help build a better tomorrow. This might not seem easy at first but it is possible and PoAcross All Oceans remind us why we are so deeply invested in the music, and like the bands frontman we can acknowledge that their is a way forward even though "all these thoughts of you are hold me back."

Find them on Facebook!

Thursday, May 7, 2015

Godbless Thee, Mooseheart - The Prison Pt. II


Following up the narrative of the previous full-length effort, Godbless Thee, Mooseheart mark their return with the second installment of The Prison. For those unfamiliar with this project, Godbless Thee, Mooseheart is a rock band from Laguna Hills, California fronted by singer-songwriter and multi-instrumentalist Brent Vallefuoco, whom some of you might be familiar with from his position as lead guitarist for Cinematic black metal act Xanthochroid (Quick anecdote: lead vocalist and keyboardist Sam Meador of Xanthochroid contributes as a keyboardist on the album). With this current project, the band borrows elements from a wide array of musical styles such as Post-rock, Shoegaze, Folk,  Midwestern Emo and even Metal within a progressive rock framework to deliver a distinct and eclectic sound carrying a strong sense of experimentation. After nearly 3 years since the previous full-length effort, The Prison, Pt.II continues and concludes the story that follows a boy as he grows up and learns to find his own path in life.

With this current album, Brent's eclectic range of musical influences are yet again on full display and carefully blended into a coherent whole. Both the narration as well as the compositions are marked by a strong sense of progression, illustrating the characters' moods and phases along his introspective journey. Each song on this LP tweaks around and draws from various musical backgrounds while still retaining its core Godbless Thee, Mooseheart DNA. From the magnificent sounds of Perdu, the post-rock inspired build ups up to the tortured, chaotic yet operatic The Monster Overlooking Everything Else, this album also covers a lot of different moods and states of mind.
The album starts off with the peaceful acoustic sounds of Mountain Song, which reintroduces the listener into the story arc before swelling up and transitioning into the next song,  Perdu, one of the most straightforward progressive rock tracks off the album.
One of the great things on this track which we'll come to find on a great deal of the LP is the songs' tendency to build up within a certain stylistic framework before taking an unexpected turn and evolving into something else by the time the song reaches its end. For this reason, The Prison Pt.II is an album that seems to constantly evolve and never lingers too long in one place. The album manages to keep your utmost attention all the way throughout its runtime thanks to its constant sonic exploration fitted within a remarkably paced set of songs.
The whole album is characterized by a strong, ever present sense of bittersweet melancholia, supported by hazy, dreamy, shoegaze-inspired effects and crystalline sonicscapes and ambiences throughout the album. Thanks to this meticulous attention to detail and atmosphere, we get a profound sense of depth and immersion, as if we were sucked into the protagonists' unconscious and presented with Polaroid pictures of his childhood memories floating and slowly drifting away into the distance.

Through its' honest and deeply personal lyrics, its' oneiric soundscapes and it's down-to-earth, heart-to-heart delivery, Godbless Thee Mooseheart delivers a highly introspective full-length effort that is sure to strike a chord with your inner childhood memories while at the same time baffling you with its' compositional ambition and grandeur. From its' catchy, bittersweet melodies to its' heartwrenching moments, The Prison pt.II will draw you in and captivate you with its nuanced display of personality, innovation and soulfulness.

Robin

Godbless thee Mooseheart – The Prison, Pt.II
To be released on July 21st (digital and physical pre-orders already available through bandcamp)


Sunday, February 8, 2015

Interview with Chris Simpson from Mineral



Reuniting after 17 years, European fans will finally get a chance to witness Minerals’ live performance on their very first European tour. On the occasion of the bands’ first Parisian show last Thursday at Le Glazart (brought to us by Old Town Bicyclette and K&B), I’ve had the honor to sit down with frontman Chris Simpson for an interview. Being slightly nervous at first, he quickly reassured me with his wonderfully down-to-earth, friendly character, paving the way for a laid-back and interesting discussion about the band, the past as well as the future for Mineral.

First off, how has the tour been going so far?
Great! The US dates were all incredible, many of them sold out. We’ve been getting very energetic crowds, people singing along the words … it’s been a wonderful experience. We’ve had really good shows on this European tour as well, two shows in Italy and two in Germany before tonight.

Starting from the very beginning, what is it that first made you pick up and instrument and start playing music?
For me, I was very young. My mother was obsessed with music and played it all the time and I just knew early on that that’s what I wanted to do. So it took some piano lessons as a kid and got into drums for a while, I played drums in some bands in middle school. My brother had also gotten a guitar, so I was sneaking into his room when he was away and learning to play his guitar because he wouldn’t want me to touch it when he was around. So between piano and guitar I started writing music a bit more. I kind of always knew that that’s what I wanted; I was working towards it in various forms, up until Mineral even started.
I’ve been playing in bands since middle school. At school and when you’re young and you play an instruments it’s easy to form bands, especially if you play drums, since more people play guitar it seems.
Mineral was probably the first serious band that actually had records released and got to tour and whatnot.

So this is your 2nd tour since your reunion after 17years back in April of last year. How did it feel to relearn these songs after all of these years?
It was such a challenge; there was a lot of rehearsing involved. We rehearsed from February of last year to August before the first shows.  We wrote these songs, we used to play them all the time, so you would think the memory of how to play them would be there, but in a lot of senses it’s not. So you really have to relearn it all from scratch. On some occasions I had to watch some live videos on youtube to see if I could get a hint of my hand positioning on the guitar when some particular parts of songs were eluding me.
It was a challenge but it felt good to do. Once I relearned my guitar parts, I remember it all now and it feels like I’ve gotten back to the point where it feels natural.

How does it feel to be back on stage as Mineral?
It feels so nice. Before, we didn’t have rooms full of people who already knew the songs and wanted to hear them. This much easier for us than what we did originally. It’s nice to go out and play for a room full of people who already knew the material and who are there to see it.
This is our first tour outside of the US, we never made it out of the states.
So this is your first time in Europe?
I did a solo tour in Europe for my more recent stuff with Zookeeper in 2006 and I’ve been here a few times, just travelling, but this is my first time here with Mineral.

Do you feel like the music scene has changed since you first started out with Mineral?
Well back then it just seemed to be all about networks of people who knew each other and talked on the phone. We were just starting to have email back then, but during the majority of the time we were a band there wasn’t really any of that. There were fanzines, people would make themselves photocopies and give them out at shows. It was kind of a more DIY culture, very small networks of people who knew each other back then. That also still exists but of course now we have also got the internet and social media. Nowadays it’s so easy to connect with people.

Have the touring conditions evolved?
They’re super fancy for this tour, compared to what used to happen. (Laughs)
Back in the day we played a lot of house shows, very small DIY parties, coffee shops and just anywhere they would let people put on shows. And now we play nicer venues with bigger sound systems where hopefully you can hear things a bit better.

Do you still somehow miss playing some of these smaller venues now?
 I always like playing in small places, but also the reason Mineral can come back and play again is that there are these amounts of people who want to see us on tour. So I like to play somewhere big enough for everyone who wants to come see us.

So do you see this tour and this reunion as more of an homage to those particular records or more of a continuation, a new chapter for the band?
It feels like continuing. It doesn’t feel like nostalgia. It kind of feels like being transported back to that time and place, at least when we’re playing and connecting with the music.

What kind of music do you like to listen to while on the road?
I like to listen to a lot of Neil Young, Leonard Cohen and John Denver. I listen to a lot of singer-songwriters; it puts me in a specific mood, you know?

What is the most rewarding part of playing music?
Live shows for sure at this point, but also recording. I still love to record. Mineral is a great example of the idea that records are sort of immortal, you know? I actually don’t really remember recording the Mineral records too much actually. The band put out a couple of records and broke up like countless bands do every day, and now, years later, those records took up a life of their own, people can discover them. THAT is really neat. So I love records, but my favorite experience would still probably be playing live, getting to connect with people… There’s nothing that feels quite the same.

Over the years, Mineral has become a household name in the emo genre. How does it feel to know that these records had such an impact and an influence on the newer generation of bands?
It definitely wasn’t something we expected to happen when we were making Mineral records. It’s a wonderful thing. It’s always good to know that your music connects with people. Mineral felt kind of insulated at the time. We would often face our backs to the crowd. We weren’t really interested in the crowd of any sort.We were more interested in the experience we were having with this music. And now it’s nice to come back and get to see the people who appreciate our music and actually connect with them, you know? So it feels different in that sense now. It feels more like we’re here BECAUSE there are these people to connect with as opposed to us being here because we’re young guys who want to be in a band.

What is next for Mineral? Are there any plans for a new album?
There are no plans for a new album or anything beyond these tours, but we are starting to do some dates in the spring and summer, some festivals… Maybe we’ll be back in Europe. I don’t think we’ll do any more full tours unless there’s’ a reason to, like some new material or something.
So I guess we’ll see what happens. It seems like new material would take some time to develop.

So you’re not ruling out the possibility of writing new material.
No one is closed minded to it, like “absolutely not!”, but we haven’t had any time or leisure to think about it or work on anything yet. So we’d have to see how it goes. It would have to be something that we’re all very passionate about. It’s a very interesting idea to me.  I’m definitely curious about the possibility; to restart after all this time, being free to do whatever you want… then again you’re not really free, you know? The legacy of what you made 17 years ago would certainly have to color what comes next.

Interview by Robin

A huge thank you goes to Chris Simpson, along with the guys from Old Town Bicyclette and K&B for making this interview possible.

Saturday, February 7, 2015

Mineral in Paris (@Le Glazart, 05/02/2015)


Back in July of 2014, after over 17 years of absence, the legendary Austin-based band Mineral announced that they would be reuniting. While this came off as a nice surprise to me as fan of the band, I had figured that this piece of news would only serve to further my frustration, considering that old-school emo bands seem to rarely ever tour outside of the States... hence my surprise and my excitement upon learning about the bands' European tour and their Parisian date. Having barely moved past the 3 year old mark back when the second wave of emo was in its prime time over in the US, I would have never imagined I would one day be able to witness a live show from one of the leading bands of the movement, let alone meet them for an interview.

Opening
for Mineral was the UK based band Solemn Sun. The band previously known as Jim Lockey & The Solumn sun, decided to simply go by the name Solemn Sun after a change of musical direction, drifting away from their folk punk formula to a more ambitious alternative rock oriented sound. The freshly reborn act delivered a convincing performance tonight with some effective vocal melodies and pretty, airy guitar leads followed by loud powerful choruses. Other than the nicely arranged, spaced out clean guitar sections, the vocal delivery was great as well, with the clean poppy vocals occasionally backed up by some harmonies from the backing vocalists to add some texture to the somewhat dreamy yet straightforward feel of the songs.


After clearing up the stage and some last few sound adjustments, our headlining act timidly stepped on stage to pick up their instruments and introduce themselves. I couldn't help but feel this somewhat unusually timid introduction to very touching and all the more heartfelt and genuine. These guys are musicians, legends in their own right, but are first and foremost down-to-earth people who are here to connect and share their passion for music with an audience. The lights dimmed and Chris Simpson started playing the instantly recognizable first few notes from "Five, Eight and ten", the opening track off their debut album, under the thunderous cheers of an excited audience. I haven't had the chance to witness a Mineral back in the day, but I could only guess that the sound wasn't as good as it was tonight. One thing that I was also surprised and thrilled to promptly notice was Chris Simpsons' heartfelt vocals kept intact after all of these years. As with their studio efforts, the vocals were not always on key but just right, carrying the same emotionally gripping presence it had two decades ago (judging from old the live footage I've seen of them). Every member was at the top of their game tonight. When the band followed up their opening song by breaking out the classic "Gloria", I started to get goosebumps from hearing the stunning live rendition from a band that seemed to have never broken up in the first place. For the next hour and a half, Minerals' intimate set brought every one of us in the crowd back to the bands' hometown in Austin, Texas in the mid 90's, and boy did it feel great! The front rows of the audience jumped in excitement at the start of every song, smiling and hugging each other, making for a heartwarming atmosphere, while others enthusiastically were singing their hearts out to the lyrics.

In conclusion, Mineral have clearly stated with this first Parisian show that they are back with full force, ready to gracefully carry on where they had left off 18 years ago. The legacy of the band has yet to be put to rest, as I would go as far as to argue that the band still are at the top of their game as I can only imagine they must have been back in the day.

Robin.

I would like to send a very warm thank you to the band, to K&B as well as the staff from Old Town Bicyclette (OTB) booking for making the show as well as this article possible! Thank you!

Be sure to keep follow the bands as well as Old Town Bicyclette on Facebook and twitter as well as on their official webpages.
 


Old Town Bicyclette
Facebook
https://www.facebook.com/OldTownBicyclette1
Official website
http://oldtownbicyclette.org/#!/events

Solemn Sun
Facebook
https://www.facebook.com/s0lemnsun
Official Website
http://www.solemnsun.com/

Mineral
Facebook
https://www.facebook.com/OfficialMineralMusic
Twitter
https://twitter.com/officialmineral
Official Website

http://officialmineral.com/


Solemn Sun Setlist
Mineral setlist

Thursday, October 16, 2014

The Greater Victory


The Greater Victory are a very cool alt rock band from northern Pennsylvania. I first saw these guys a couple days ago in a tiny club, I would have reviewed their show, but I was the one who booked them and that's kinda screwed up ya know? Here's the thing about this band though, they have a beautiful sense of sadness to them that few of their peers can compare too. Sure they might not have crazy chops or anything, but that's not the point. This music is a veritable chicken soup for the suffering soul, there is something extremely comforting to me about the music of The Greater Victory. They do rock and roll right, they honor a formula that is not fatal to the flesh, but instead strangely triumphant. Perhaps the secret is in the bands name, their sound, despite being sad points towards something happier. Maybe the entire point of this band is to show us to our own greater victory, and even if it isn't, this is still some damn good music.

Find them on Facebook!
https://www.facebook.com/thegreatervictory

Thursday, August 15, 2013

Chalk Li

Chalk Li cover art

Chalk Li is an interesting emo punk band who have an engaging sound that relies heavily on the jam punk tendencies of a band like Iggy and the Stooges. Toss in some very raw, almost disconnected vocals and you see that these guys are not at all interested in making music in the normal sense of the term. Instead, a lot of what you get from this groups music is pure vibes. Chalk Li is nothing less than a window onto the souls of the musicians in the band. While these guys may not have mega chops they manage to get a feeling going, that something special is happening and you can be a part of it, much like the Sex Pistols back in the day. Its exciting to hear a group with this level of dynamism and power in their sound. It is something fresh and interesting from a band who don't care about 'the rules'. And surprisingly the 'emo' side is a lot less annoying then you might expect, it actually gives an interesting flavor to the music and really keeps up the raw emotion of the songs. A passionate band who can get by on sheer charisma the future should be bright for these guys!

Find them on Facebook!
https://www.facebook.com/ChalkLi/app_204974879526524